Title | Date | Reference | Authors | Call # | ISSN | |||
---|---|---|---|---|---|---|---|---|
African Arts at 50: teaching African art in the face of apartheid | 2017 | African arts 50 (1): 1-2, 4-5 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
Celebrating African Arts at 50 and its place in Africa | 2017 | African arts 50 (1): 1-2, 4-5 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
Celebrating 50 years | 2017 | African arts 50 (1): 6-9 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
Critical standards of African art | 2017 | African arts 50 (1): 10-15 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
"Daringly experimental and versatile": African arts and the contemporary | 2017 | African arts 50 (1): 16-21 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
From context to text: African Arts and photography, 1967-2017 | 2017 | African arts 50 (1): 22-31 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
"Relations between thoughts and hands": expressive themes in African Arts | 2017 | African arts 50 (1): 32-41 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
African-print fashion now! A story of taste, globalization, and style | 2017 | African arts 50 (1): 42-59 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
The inner eye: vision and transcendence in African arts | 2017 | African arts 50 (1): 60-79 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
Reaching sideways, writing our ways. The orientation of the arts of Africa discourse | 2017 | African arts 50 (2): 10-29 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
Aporias of rock art interpretation. Advancing a phenomenological reading | 2017 | African arts 50 (2): 30-45 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
Reimag[in]ing the village a s a portrait of a nation-state in Uganda | 2017 | African arts 50 (2): 46-57 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
Alex Baine's Women's emancipation in Uganda. A visual archive of the history of a new generation of women in Uganda | 2017 | African arts 50 (2): 58-67 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
Reimagining our missing histories. Eria Nsubuga SANE and Sikhumbuzo Makandula in conversational partnership | 2017 | African arts 50 (2): 68-83 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
Gifts from our elders: African arts and visionary art history | 2017 | African arts 50 (3): 1-2, 4-7 | H6/KFY [AFRICAN-] | 0001-9933 | in thematic issue 'Ancestors and elders' | |||
Ancestors and elders: personal reflections of an Africanist art historian | 2017 | African arts 50 (3): 8-21 | H6/KFY [AFRICAN-] | 0001-9933 | in thematic issue 'Ancestors and elders' | |||
Remembering Roy Sieber (1923-2001) | 2017 | African arts 50 (3): 22-9 | H6/KFY [AFRICAN-] | 0001-9933 | in thematic issue 'Ancestors and elders' | |||
A mighty tree. Douglas F. Fraser 1930-1982 | 2017 | African arts 50 (3): 30-7 | H6/KFY [AFRICAN-] | 0001-9933 | in thematic issue 'Ancestors and elders' | |||
Joanne Bubolz Eicher, trailblazer in the field of African textiles, dress, and fashion | 2017 | African arts 50 (3): 38-47 | H6/KFY [AFRICAN-] | 0001-9933 | in thematic issue 'Ancestors and elders' | |||
Eye Du Ke Esit Nyin Ke Nsinsi!! Remembering Ekpo Okpo Eyo (1931-2011). Administrator, archaeologist, scholar, teacher, mentor, and friend | 2017 | African arts 50 (3): 48-61 | H6/KFY [AFRICAN-] | 0001-9933 | in thematic issue 'Ancestors and elders' | |||
Oriki for Robert Farris Thompson | 2017 | African arts 50 (3): 62-81 | H6/KFY [AFRICAN-] | 0001-9933 | in thematic issue 'Ancestors and elders' | |||
Future thinking: propositions and possibilities for African art history | 2017 | African arts 50 (4): 1-2, 5 | H6/KFY [AFRICAN-] | 0001-9933 | in special issue 'African art histories' futures' | |||
Toward a data-driven art studies: a social network analysis of contemporary African art | 2017 | African arts 50 (4): 6-11 | H6/KFY [AFRICAN-] | 0001-9933 | in special issue 'African art histories' futures' | |||
Methods, making, and West African influences in the work of Fatimah Tuggar | 2017 | African arts 50 (4): 12-17 | H6/KFY [AFRICAN-] | 0001-9933 | in special issue 'African art histories' futures' | |||
Afrofuturism and the technologies of survival | 2017 | African arts 50 (4): 18-23 | H6/KFY [AFRICAN-] | 0001-9933 | in special issue 'African art histories' futures' | |||
Provocative acts and censorial revisions: the many antagonisms of Amal Kenawy's The Silence of the Lambs | 2017 | African arts 50 (4): 24-33 | H6/KFY [AFRICAN-] | 0001-9933 | in special issue 'African art histories' futures' | |||
Sustainable futures: Ekpenyong Bassey Nsa and the study of traditional-based African artists | 2017 | African arts 50 (4): 34-45 | H6/KFY [AFRICAN-] | 0001-9933 | in special issue 'African art histories' futures' | |||
Room to grow: re-installing the NCMA permanent collection | 2017 | African arts 50 (4): 46-61 | H6/KFY [AFRICAN-] | 0001-9933 | in special issue 'African art histories' futures' | |||
A history shaped by future past. Art, artists, and the dialogic turn at the Smithsonian National Museum of African Art | 2017 | African arts 50 (4): 62-73 | H6/KFY [AFRICAN-] | 0001-9933 | in special issue 'African art histories' futures' | |||
Leaving ruins. Explorations of present pasts by Sammy Baloji, Freddy Tsimba, and Steve Bandoma | 2016 | African arts 49 (1): 6-25 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
Hybrid images. From photography to church painting: iconographic narratives at the Court of the Ethiopian King of Kings, Menelik II (1880s-1913) | 2016 | African arts 49 (1): 26-39 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
The resonance of Osun across a millennium of Lower Niger history | 2016 | African arts 49 (1): 40-55 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
Art with fight in it. Discovering that a statue of a colonial officer is a power object from the 1931 Pende revolt | 2016 | African arts 49 (1): 56-69 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
Nobody can harm you, nobody can charm you. Efik Nnabo society masquerades of Calabar, Nigeria | 2016 | African arts 49 (1): 70-7 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
Alexander Barker's Sapi-Portuguese oliphant | 2016 | African arts 49 (1): 78-81 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
A lending museum. The movement of objects and the impact of the museum space in the Grassfields (Cameroon) | 2016 | African arts 49 (2): 6-19 | H6/KFY [AFRICAN-] | 0001-9933 | in thematic issue 'Art and patrimony in the Cameroon Grassfields' | |||
Collecting practices in Bandjoun, Cameroon. Thinking about collecting as a research paradigm | 2016 | African arts 49 (2): 20-37 | H6/KFY [AFRICAN-] | 0001-9933 | in thematic issue 'Art and patrimony in the Cameroon Grassfields' | |||
Masks on the move. Defying genres, styles, and traditions in the Cameroonian Grassfields | 2016 | African arts 49 (2): 38-53 | H6/KFY [AFRICAN-] | 0001-9933 | in thematic issue 'Art and patrimony in the Cameroon Grassfields' | |||
Selling authenticity in the Bamun Kingdom in 1929-1930 | 2016 | African arts 49 (2): 54-67 | H6/KFY [AFRICAN-] | 0001-9933 | in thematic issue 'Art and patrimony in the Cameroon Grassfields' | |||
Reconsidering patrimonialization in the Bamun Kingdom. Heritage, image, and politics from 1906 to the present | 2016 | African arts 49 (2): 68-81 | H6/KFY [AFRICAN-] | 0001-9933 | in thematic issue 'Art and patrimony in the Cameroon Grassfields' | |||
On shared heritage and its (false) promises | 2016 | African arts 49 (3): 1, 4-7 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
"The models for Africa": Accra's independence-era fashion culture and the creations of Chez Julie | 2016 | African arts 49 (3): 8-21 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
The Kongo cross across centuries | 2016 | African arts 49 (3): 22-31 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
The materiality of cement in the cultural matrix of the middle cross river region | 2016 | African arts 49 (3): 32-47 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
Okpo Ekak: paradox of passion and individuality among the Efik | 2016 | African arts 49 (3): 48-61 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
By iron possessed: Fabrice Monteiro's Maroons: the fugitive slaves | 2016 | African arts 49 (3): 62-7 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
The African art collection at the Samuel P. Harn Museum of Art, University of Florida | 2016 | African arts 49 (3): 68-83 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
New meanings and historical messages in the Larabanga mosque | 2016 | African arts 49 (4): 8-23 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
Internal meanings. Computed tomography scanning of Koma figurines from Ghana | 2016 | African arts 49 (4): 24-33 | H6/KFY [AFRICAN-] | 0001-9933 | ||||
Drums, dance, dreams, and remittance. Transnational interconnections in Ivorian immigrant mask performance in the USA | 2016 | African arts 49 (4): 34-47 | H6/KFY [AFRICAN-] | 0001-9933 |